Add to ORKGThe author describes Prince's re-photographing and juxtaposing of images taken from magazines in order to expose the constructed nature of these images as cultural signifiers. Biographical notes. 56 bibl. ref
Asselin examines Pellegrinuzzi's use of framing and fragmentation, in order to explore the physical ...
Douglas Prince has been engaged in photography for the last fifty years, both as a teacher and as a ...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Prince's position in popular culture has undergone only limited academic scrutiny. This book provide...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theor...
Haggerty discerns the art historical referents in Ross' photographs taken with a plastic camera. Kli...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Describing Tomb's re-taking of historical photographs using himself as a model, Parke-Talor situates...
Through statements by the artists, Luckyj examines the objectives of Prince's sculptures, Prent's wo...
The author comments on photographic portraits taken by him during a lifetime of commercial photograp...
This thesis will critically evaluate the most abiding theories of female subjective development, in ...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Asselin examines Pellegrinuzzi's use of framing and fragmentation, in order to explore the physical ...
Douglas Prince has been engaged in photography for the last fifty years, both as a teacher and as a ...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Prince's position in popular culture has undergone only limited academic scrutiny. This book provide...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theor...
Haggerty discerns the art historical referents in Ross' photographs taken with a plastic camera. Kli...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Describing Tomb's re-taking of historical photographs using himself as a model, Parke-Talor situates...
Through statements by the artists, Luckyj examines the objectives of Prince's sculptures, Prent's wo...
The author comments on photographic portraits taken by him during a lifetime of commercial photograp...
This thesis will critically evaluate the most abiding theories of female subjective development, in ...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Asselin examines Pellegrinuzzi's use of framing and fragmentation, in order to explore the physical ...
Douglas Prince has been engaged in photography for the last fifty years, both as a teacher and as a ...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...