Add to ORKGHaggerty discerns the art historical referents in Ross' photographs taken with a plastic camera. Kline's afterword includes a statement by Ross. Biographical notes. 22 bibl. ref
The Getty’s In Focus series produces very small books that represent a much larger scholarly effort....
Clark's biographical narrative traces the evolution of 40 years of paintings, drawings, and etchings...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Photographic documentation of three sculptural works accompanied by quotations and brief statements ...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
AbstractIn the timeline where histories of art and photography intersect, Preziosi, with his stateme...
Analysing the subject matter and form of Zuck's paintings, Dompierre interprets his images as visual...
Title devised by cataloguer based on information from acquisition documentation.; Part of collection...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
Title devised by cataloguer based on information from acquisition documentation.; Part of collection...
Acquired in digital format; access copy available online.; Part of the collection: Portraits taken d...
For this retrospective exhibition, Zemans traces the development of Pratt's realist paintings from t...
Tenenbaum discusses Haag's painting referring to formalism, primitivism, cubism and spontaneous expr...
Describing Tomb's re-taking of historical photographs using himself as a model, Parke-Talor situates...
The Getty’s In Focus series produces very small books that represent a much larger scholarly effort....
Clark's biographical narrative traces the evolution of 40 years of paintings, drawings, and etchings...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Photographic documentation of three sculptural works accompanied by quotations and brief statements ...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
AbstractIn the timeline where histories of art and photography intersect, Preziosi, with his stateme...
Analysing the subject matter and form of Zuck's paintings, Dompierre interprets his images as visual...
Title devised by cataloguer based on information from acquisition documentation.; Part of collection...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
Title devised by cataloguer based on information from acquisition documentation.; Part of collection...
Acquired in digital format; access copy available online.; Part of the collection: Portraits taken d...
For this retrospective exhibition, Zemans traces the development of Pratt's realist paintings from t...
Tenenbaum discusses Haag's painting referring to formalism, primitivism, cubism and spontaneous expr...
Describing Tomb's re-taking of historical photographs using himself as a model, Parke-Talor situates...
The Getty’s In Focus series produces very small books that represent a much larger scholarly effort....
Clark's biographical narrative traces the evolution of 40 years of paintings, drawings, and etchings...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...