Add to ORKGRodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusion to inscribe natural and cultural phenomena. Biographical notes. 57 bibl. ref
Enlarging sculptures : the example of Rodin. During the nineteenth century, several new techniques ...
Reviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical prof...
The Roman official and intellectual Pliny the Elder’s Natural History constitutes our primary source...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Through statements by the artists, Luckyj examines the objectives of Prince's sculptures, Prent's wo...
Underlining the importance of the human figure in the history of Western sculpture, Luckyj discusses...
Rubens was mesmerised by faces. He studied physiognomy, the pseudo-science that began making headway...
Morgan traces the development of Bainbridge's sculpture, his use of materials, and his ironic refere...
…just a simple piece of sculpture without reference to subject. -Auguste Rodin The work presented ...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Dault situates Evans’ paintings within the context of Minimalism, and highlights the artist’s use of...
Marshall outlines Murray's explorations of reductivist sculpture. Biographical notes. 2 bibl. ref
Enlarging sculptures : the example of Rodin. During the nineteenth century, several new techniques ...
Reviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical prof...
The Roman official and intellectual Pliny the Elder’s Natural History constitutes our primary source...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Through statements by the artists, Luckyj examines the objectives of Prince's sculptures, Prent's wo...
Underlining the importance of the human figure in the history of Western sculpture, Luckyj discusses...
Rubens was mesmerised by faces. He studied physiognomy, the pseudo-science that began making headway...
Morgan traces the development of Bainbridge's sculpture, his use of materials, and his ironic refere...
…just a simple piece of sculpture without reference to subject. -Auguste Rodin The work presented ...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Dault situates Evans’ paintings within the context of Minimalism, and highlights the artist’s use of...
Marshall outlines Murray's explorations of reductivist sculpture. Biographical notes. 2 bibl. ref
Enlarging sculptures : the example of Rodin. During the nineteenth century, several new techniques ...
Reviewing Rock's forty-year career, Tuele's analysis focuses on the realist painter's technical prof...
The Roman official and intellectual Pliny the Elder’s Natural History constitutes our primary source...