Add to ORKGThe author comments on photographic portraits taken by him during a lifetime of commercial photography. In particular, he explains how he captured the essence, experience and character of his subjects rather than making likenesses
In my work I develop a set of about thirty small format oil paintings. I refer them to my previous j...
My primary area in comps was drawing, with the primary medium of conte crayon on paper. I drew my fr...
What methods do photographers use to insert their creative voice into photography, and how do these ...
The author comments on photographic portraits taken by him during a lifetime of commercial photograp...
Throughout time portrait has changed its function, purpose, many times. Today, portrait doesn’t just...
Contained within this volume are Papers One and Two. Both use as a central structure a quotation fr...
peer reviewedThe considerable success of the photographic portrait, whose first industrial developme...
Photographers are liars, deceiving themselves and their audiences. Con-cerned not with the art of ph...
Despite its huge popularity, portraiture hasn’t received much philosophical attention. While there a...
The twelve photographic portraits that comprise this honors project are grounded in the fact that hu...
What is a portrait? Since the birth of photography, this is a question that photographers have for e...
In my initial research, my focus was the study of the formal qualities of portraiture. I found that ...
This paper presents a research into the portrait genre from the axiological perspective and its rede...
This paper reflects on the visual practices involving the circulation of portraits of authors in th...
This discourse explores the genre of political portraiture and general questions about the ability o...
In my work I develop a set of about thirty small format oil paintings. I refer them to my previous j...
My primary area in comps was drawing, with the primary medium of conte crayon on paper. I drew my fr...
What methods do photographers use to insert their creative voice into photography, and how do these ...
The author comments on photographic portraits taken by him during a lifetime of commercial photograp...
Throughout time portrait has changed its function, purpose, many times. Today, portrait doesn’t just...
Contained within this volume are Papers One and Two. Both use as a central structure a quotation fr...
peer reviewedThe considerable success of the photographic portrait, whose first industrial developme...
Photographers are liars, deceiving themselves and their audiences. Con-cerned not with the art of ph...
Despite its huge popularity, portraiture hasn’t received much philosophical attention. While there a...
The twelve photographic portraits that comprise this honors project are grounded in the fact that hu...
What is a portrait? Since the birth of photography, this is a question that photographers have for e...
In my initial research, my focus was the study of the formal qualities of portraiture. I found that ...
This paper presents a research into the portrait genre from the axiological perspective and its rede...
This paper reflects on the visual practices involving the circulation of portraits of authors in th...
This discourse explores the genre of political portraiture and general questions about the ability o...
In my work I develop a set of about thirty small format oil paintings. I refer them to my previous j...
My primary area in comps was drawing, with the primary medium of conte crayon on paper. I drew my fr...
What methods do photographers use to insert their creative voice into photography, and how do these ...