Add to ORKGNoting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investigation in history, science, technology and art
The exhibition proposes that we inhabit a ‘crystal era’, in a world of images supported and circula...
In the winter of 2008, Richard Prince had a major exhibition of new and controversial paintings at G...
Names of artists whose work is shown. Overhead shot of people outside the Hayward Gallery, forming ...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Professor of Fine Art, Robert Williams, is participating in a high-profile exhibition launched in Fe...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
To the uninitiated, it is quite probable that the results that art conservators derive from analytic...
A publicly curated event of three talks about Alchemy in the context of collaborations and shared in...
© 2018 Dr. Emma Catherine BalazsThis practice-based research explores an alternative model for an ar...
The only decentralized trade which carries the ember of the metallurgic narrative is that of the alc...
The exhibition design for 'Alchemy' was a requirement to assist the curatorial voice for an exhibiti...
There is a great deal of interest in the interface between art & science. Existing sci/art proje...
The exhibition proposes that we inhabit a ‘crystal era’, in a world of images supported and circula...
In the winter of 2008, Richard Prince had a major exhibition of new and controversial paintings at G...
Names of artists whose work is shown. Overhead shot of people outside the Hayward Gallery, forming ...
Noting Prince's preoccupation with alchemy, curator Bailey discusses the model as means of investiga...
Noting a romantic undercurrent in Prince's mechanic sculptures, Allison inscribes the work in a gene...
Noting Prince's interest in 18th century mechanical instruments, Fleming describes the artist's scul...
Rodman analyses Prince's sculptures, revealing how he uses metaphor, analogy, synecdoche and illusio...
Professor of Fine Art, Robert Williams, is participating in a high-profile exhibition launched in Fe...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
To the uninitiated, it is quite probable that the results that art conservators derive from analytic...
A publicly curated event of three talks about Alchemy in the context of collaborations and shared in...
© 2018 Dr. Emma Catherine BalazsThis practice-based research explores an alternative model for an ar...
The only decentralized trade which carries the ember of the metallurgic narrative is that of the alc...
The exhibition design for 'Alchemy' was a requirement to assist the curatorial voice for an exhibiti...
There is a great deal of interest in the interface between art & science. Existing sci/art proje...
The exhibition proposes that we inhabit a ‘crystal era’, in a world of images supported and circula...
In the winter of 2008, Richard Prince had a major exhibition of new and controversial paintings at G...
Names of artists whose work is shown. Overhead shot of people outside the Hayward Gallery, forming ...