Add to ORKGThe authors discuss Wallace's work in relation to monochrome painting, polemical photography and concepts of art, photography and meaning. Artist's statement. Biographical notes. Bibl. 2 p
Wallace discusses the artists' use of images from "readymade" sources, their strategies of defamilia...
In his essay on Tom Burrow’s recent monochrome works (cast polyester resin infused with different me...
Wallace examines the book theme in a survey of Rea's work since the mid 1980s. Biographical notes. 1...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Presentation of a seminal group of interconnected photographic projects that incorporate modernist i...
Danzker discusses two of Wallace's works from 1979 which demonstrate how visual representations are ...
Wallace's publication lists the artist's complete works (1967-1982), including photographic document...
Richmond examines Wallace’s photographic series entitled “Masculin / Féminin,” which juxtaposes stil...
Wallace attempts to politicize the universalizing values offered by the university while Piccone eng...
This exhibition catalogue statement describes Anne Wallace's approach to painting. Her art could be ...
Pakasaar discusses the main themes of Wallace's work - the gap between private and public, the break...
According to Shadbolt, Wallace's paintings' emerge from a dialogue between improvised and deliberate...
The welded-steel, figurative sculptures and etchings of Wallace are discusssed. Motifs and literary ...
Stals introduces an exhibition focused on the use of the camera in a critical exploration of reality...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
Wallace discusses the artists' use of images from "readymade" sources, their strategies of defamilia...
In his essay on Tom Burrow’s recent monochrome works (cast polyester resin infused with different me...
Wallace examines the book theme in a survey of Rea's work since the mid 1980s. Biographical notes. 1...
The authors discuss Wallace's work in relation to monochrome painting, polemical photography and con...
Presentation of a seminal group of interconnected photographic projects that incorporate modernist i...
Danzker discusses two of Wallace's works from 1979 which demonstrate how visual representations are ...
Wallace's publication lists the artist's complete works (1967-1982), including photographic document...
Richmond examines Wallace’s photographic series entitled “Masculin / Féminin,” which juxtaposes stil...
Wallace attempts to politicize the universalizing values offered by the university while Piccone eng...
This exhibition catalogue statement describes Anne Wallace's approach to painting. Her art could be ...
Pakasaar discusses the main themes of Wallace's work - the gap between private and public, the break...
According to Shadbolt, Wallace's paintings' emerge from a dialogue between improvised and deliberate...
The welded-steel, figurative sculptures and etchings of Wallace are discusssed. Motifs and literary ...
Stals introduces an exhibition focused on the use of the camera in a critical exploration of reality...
Wallace describes the general decline of painting in the 1960s and the 1970s and situates MacWilliam...
Wallace discusses the artists' use of images from "readymade" sources, their strategies of defamilia...
In his essay on Tom Burrow’s recent monochrome works (cast polyester resin infused with different me...
Wallace examines the book theme in a survey of Rea's work since the mid 1980s. Biographical notes. 1...