Add to ORKGWawzonek provides descriptive analyses of works by three contemporary Canadian artists in an exhibition based on the theme of the moralistic still-life genre known as Vanitas. The author draws attention to how these works differ from traditional Vanitas. Relationships between food/identity and consumerism/selfhood are considered, along with issues of representation, death, desire and disease. List of works. Biographical notes. 4 bibl. ref
A pamphlet accompanying an exhibition on the theme of portraiture, which brought together Canadian w...
Debunking the notion of the starving artist, five essayists explore the real working conditions of a...
Analysing the work of nine Canadian photographers, Herzog and Weiermair outline the conventional wis...
Wawzonek provides descriptive analyses of works by three contemporary Canadian artists in an exhibit...
The vanitas genre is as significant to current audiences as it was to those of the 1ih century. The ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This work in two parts on Quebec's popular art brings together interpretive essays on three major co...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
This exhibition situates the work of six western Canadian artists within the curatorial theme of the...
The art of Alex Janvier and Norval Morrisseau successfully transcended the aesthetic norms of Canadi...
Published following an event whose intent was to reexamine the concept of “tableau vivant” (living d...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
A pamphlet accompanying an exhibition on the theme of portraiture, which brought together Canadian w...
Debunking the notion of the starving artist, five essayists explore the real working conditions of a...
Analysing the work of nine Canadian photographers, Herzog and Weiermair outline the conventional wis...
Wawzonek provides descriptive analyses of works by three contemporary Canadian artists in an exhibit...
The vanitas genre is as significant to current audiences as it was to those of the 1ih century. The ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This work in two parts on Quebec's popular art brings together interpretive essays on three major co...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
This exhibition situates the work of six western Canadian artists within the curatorial theme of the...
The art of Alex Janvier and Norval Morrisseau successfully transcended the aesthetic norms of Canadi...
Published following an event whose intent was to reexamine the concept of “tableau vivant” (living d...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
A pamphlet accompanying an exhibition on the theme of portraiture, which brought together Canadian w...
Debunking the notion of the starving artist, five essayists explore the real working conditions of a...
Analysing the work of nine Canadian photographers, Herzog and Weiermair outline the conventional wis...