Add to ORKGBaert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the political), arguing that the works, while within the postmodern critical tradition, exceed it by their reintroduction of pleasure. Each of the ten Canadian and international artists' work is described. Biographical notes. 3 bibl. ref
In discussing the resemblance the work of eight Calgary artists bears to "New Image", the author als...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Ritchie elaborates on the curatorial, artistic and aesthetic strategies of this exhibition, which br...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
This catalogue of an international exhibition of 30 artists brings together texts by 13 Canadian, Am...
Garneau underscores the diversity in the art of 14 Western Canadian artists who choose to work withi...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
This thesis represents a practical exposition of some of the most urgent debates in contemporary art...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
A national institution with a federal mandate to promote Canada's artistic heritage, the Nation...
The "encyclopedic imagination" describes an artist's conviction that a work of art must be expansiv...
In discussing the resemblance the work of eight Calgary artists bears to "New Image", the author als...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Ritchie elaborates on the curatorial, artistic and aesthetic strategies of this exhibition, which br...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
This catalogue of an international exhibition of 30 artists brings together texts by 13 Canadian, Am...
Garneau underscores the diversity in the art of 14 Western Canadian artists who choose to work withi...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
This thesis represents a practical exposition of some of the most urgent debates in contemporary art...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
A national institution with a federal mandate to promote Canada's artistic heritage, the Nation...
The "encyclopedic imagination" describes an artist's conviction that a work of art must be expansiv...
In discussing the resemblance the work of eight Calgary artists bears to "New Image", the author als...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Ritchie elaborates on the curatorial, artistic and aesthetic strategies of this exhibition, which br...