Add to ORKGThe work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related figuration, universality versus temporality are discussed by Yanover in the context of postmodernism, late capitalism and the situation of production in Toronto and Canada. Statements by the artists. Biographical notes. 3 bibl. ref
Works by seven Canadian artists, chosen for their concern with temporality and place within cultural...
Noting the strong figurative tradition in the Maritimes, Richmond questions the division between fig...
Shaw considers the re-emergence of the human figure in works by seven artists. Biographical notes. 1...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
This thesis explores the absent figure in Canadian sculptural practices since the seventies. The abs...
In a brief introduction to sculptural works by four Toronto-based artists, the use of non-traditiona...
Garneau underscores the diversity in the art of 14 Western Canadian artists who choose to work withi...
Introductory essays discuss the work of ten postminimalist sculptors in relation to their contempora...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
Referring to fragmentation, representation, memory, and site, Jenkner analyzes the work of 12 Canadi...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
Works by seven Canadian artists, chosen for their concern with temporality and place within cultural...
Noting the strong figurative tradition in the Maritimes, Richmond questions the division between fig...
Shaw considers the re-emergence of the human figure in works by seven artists. Biographical notes. 1...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
This thesis explores the absent figure in Canadian sculptural practices since the seventies. The abs...
In a brief introduction to sculptural works by four Toronto-based artists, the use of non-traditiona...
Garneau underscores the diversity in the art of 14 Western Canadian artists who choose to work withi...
Introductory essays discuss the work of ten postminimalist sculptors in relation to their contempora...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
Referring to fragmentation, representation, memory, and site, Jenkner analyzes the work of 12 Canadi...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
Works by seven Canadian artists, chosen for their concern with temporality and place within cultural...
Noting the strong figurative tradition in the Maritimes, Richmond questions the division between fig...
Shaw considers the re-emergence of the human figure in works by seven artists. Biographical notes. 1...