Add to ORKGIn an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the relation of postmodernism to the historical past and memory in defining a subject in works of art; the author also considers the social and political uses of memory, giving special attention to the dimensions of play and gender. Hutcheon's essay maps the territory of Canadian postmodernism and argues for a politicized understanding of postmodernist theory and practice. Biographical notes on the authors and 35 artists. Index of names. Bibl. 3 p
This anthology marks key moments in the history of Canadian painting and sculpture. Works by the Gro...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Referring to fragmentation, representation, memory, and site, Jenkner analyzes the work of 12 Canadi...
Linda Hutcheon, one of the foremost Canadian critics of the day, in her famous work The Politics of ...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
This paper delves into the multifaceted role of memory in contemporary society, examining its histor...
Settling and Unsettling Memories analyses the ways in which Canadians over the past century have nar...
Hurtig provides a critical context for the Kamloops Art Gallery's collection of contemporary Canadia...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
This selection of 25 essays reveals the changing tenor of writing on art in Canada in the 1980s, ref...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
This anthology marks key moments in the history of Canadian painting and sculpture. Works by the Gro...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Referring to fragmentation, representation, memory, and site, Jenkner analyzes the work of 12 Canadi...
Linda Hutcheon, one of the foremost Canadian critics of the day, in her famous work The Politics of ...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
This paper delves into the multifaceted role of memory in contemporary society, examining its histor...
Settling and Unsettling Memories analyses the ways in which Canadians over the past century have nar...
Hurtig provides a critical context for the Kamloops Art Gallery's collection of contemporary Canadia...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This major catalogue for an exhibition composed of approximately ninety works by forty-one contempor...
This selection of 25 essays reveals the changing tenor of writing on art in Canada in the 1980s, ref...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
This anthology marks key moments in the history of Canadian painting and sculpture. Works by the Gro...
The work of ten contemporary Canadian sculptors is analyzed. Issues of abstraction and body-related ...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...