Add to ORKGTracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s to new materials and to representation. Ewen's comments on each of the 19 illustrated paintings (1971-1974) provide insight into the artist's process. Brief biographical notes
Frequently quoting the artist's writings, Watson compiles a comprehensive portrait of Shadbolt (1909...
Young discusses Scott's series of narrative paintings from 1983, which express the passion and jealo...
Ainslie details Shadbolt's artistic direction since his early work in the 1930s, and analyzes the fo...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Frequently quoting the artist's writings, Watson compiles a comprehensive portrait of Shadbolt (1909...
Young discusses Scott's series of narrative paintings from 1983, which express the passion and jealo...
Ainslie details Shadbolt's artistic direction since his early work in the 1930s, and analyzes the fo...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Frequently quoting the artist's writings, Watson compiles a comprehensive portrait of Shadbolt (1909...
Young discusses Scott's series of narrative paintings from 1983, which express the passion and jealo...
Ainslie details Shadbolt's artistic direction since his early work in the 1930s, and analyzes the fo...