Add to ORKGThom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includes an excerpt from an interview with Shabolt. Biographical notes. 70 bibl. ref
Murray traces Lander's development as a painter, printmaker and watercolourist of decorative still l...
This introduction represents a partial reconstruction of the history of watercolour painting in Brit...
Twentieth-century art historical research has devoted little attention to the study of watercolour p...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Frequently quoting the artist's writings, Watson compiles a comprehensive portrait of Shadbolt (1909...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
In a survey of Shadbolt's printmaking, from the 1930s linocuts to the more recent lithographs, Henry...
Ainslie details Shadbolt's artistic direction since his early work in the 1930s, and analyzes the fo...
Referring to gesture, experimentation, dada and surrealism, Watson discusses how Shadbolt resolves t...
Includes an excerpt from a previously published text and documentation of works dating from 1987 to ...
To the first part of a presentation of Shadbolt's work comprised in the Firestone collection, Mackay...
Lacroix documents Whittome's studies at the Vancouver School of Art (1959-1963) and proposes several...
In a study of Shadbolt's appropriation of West Coast Indian imagery, Malpin contrasts artifact with ...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Shadbolt discusses the oeuvre of West Coast painter E.J. Hughes on the occasion of a retrospective e...
Murray traces Lander's development as a painter, printmaker and watercolourist of decorative still l...
This introduction represents a partial reconstruction of the history of watercolour painting in Brit...
Twentieth-century art historical research has devoted little attention to the study of watercolour p...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Frequently quoting the artist's writings, Watson compiles a comprehensive portrait of Shadbolt (1909...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
In a survey of Shadbolt's printmaking, from the 1930s linocuts to the more recent lithographs, Henry...
Ainslie details Shadbolt's artistic direction since his early work in the 1930s, and analyzes the fo...
Referring to gesture, experimentation, dada and surrealism, Watson discusses how Shadbolt resolves t...
Includes an excerpt from a previously published text and documentation of works dating from 1987 to ...
To the first part of a presentation of Shadbolt's work comprised in the Firestone collection, Mackay...
Lacroix documents Whittome's studies at the Vancouver School of Art (1959-1963) and proposes several...
In a study of Shadbolt's appropriation of West Coast Indian imagery, Malpin contrasts artifact with ...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Shadbolt discusses the oeuvre of West Coast painter E.J. Hughes on the occasion of a retrospective e...
Murray traces Lander's development as a painter, printmaker and watercolourist of decorative still l...
This introduction represents a partial reconstruction of the history of watercolour painting in Brit...
Twentieth-century art historical research has devoted little attention to the study of watercolour p...