Add to ORKGEwen's paintings of the Montréal period illustrate his constant exploration of formal means, using patterns of imagery and space derived from landscape. The text describes the influences of the activities of the "Automatistes" and "Plasticiens" on his work. Emphasis is placed on reconstructing a chronology of his production, interests and influences from the 1950's and 1960's, including the artist's comments. 48 bibl. ref
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
In relation to her selection from a private collection of sculptures, prints, and paintings dating f...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Sherman recounts the milestones of the career of landscape painter Savage who is an important figure...
Montreal during the 1950s within the constructs defined by the 'avant-garde.' geometry are discussed...
This thesis discusses the stylistic development of Lionel LeMoine FitzGerald (1890-1956) as seen in ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
In relation to her selection from a private collection of sculptures, prints, and paintings dating f...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Sherman recounts the milestones of the career of landscape painter Savage who is an important figure...
Montreal during the 1950s within the constructs defined by the 'avant-garde.' geometry are discussed...
This thesis discusses the stylistic development of Lionel LeMoine FitzGerald (1890-1956) as seen in ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
In relation to her selection from a private collection of sculptures, prints, and paintings dating f...