In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a paradigmatic shift in the artist's work from modernist to (language-based) postmodernist, writes a history of Ewen's career, and in the process, narrates a subtext about the regional differences between the Montréal, Toronto, and London, Ontario art scenes of the 1950s to the 1970s. 56 bibl. ref
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Fraser analyses Arnold's photograms created between 1980 and 1988, stressing the artist's conflictin...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
In two reprinted texts, Ewart's architectural installations at P.S. 1, Kingston and the Art Gallery ...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
This special edition contextualizes the new body of drawings, artist books and video works made by S...
This dissertation offers the first comprehensive examination of the diverse inte-ractions and collab...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Fraser analyses Arnold's photograms created between 1980 and 1988, stressing the artist's conflictin...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
This catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heave...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
In two reprinted texts, Ewart's architectural installations at P.S. 1, Kingston and the Art Gallery ...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
This special edition contextualizes the new body of drawings, artist books and video works made by S...
This dissertation offers the first comprehensive examination of the diverse inte-ractions and collab...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Fraser analyses Arnold's photograms created between 1980 and 1988, stressing the artist's conflictin...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...