Add to ORKGThis catalogue - published on the occasion of the exhibition "Paterson Ewen : Earthly Weathers/Heavenly Skies" - contains brief texts by M. Ondaatje and E. Fischl, an indepth biography by Graham, and a critical essay by Teitelbaum. Focusing on Ewen's plywood paintings of natural phenomena, the texts trace the evolution of the artist's creative process, highlighting his involvement with Montreal and London (Ont.) art communities, the influence of the Automatistes and Plasticiens, and his transition from abstraction to imagistic landscape painting. Includes detailed chronology on Ewen, and brief biographical notes on authors (printed on jacket). 562 bibl. ref
Archibald Geikie was interested in art and produced c. 700 images in various media. Geikie's drawing...
Defining the aims of the exhibition, Graham focuses on the artists' approaches to their work. Includ...
Carney cites the importance of poetics and of nature (especially in places where it has "already abs...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Campbell's monograph focuses on the experience of wonder in Ewen's paintings. 16 bibl. ref
In his discussion of genesis and process in Peacock's work, the author reveals how these textured an...
Bierk highlights the construction of landscape in the artists' works. Artists' statements. Biographi...
This catalogue documents an exhibition held during the 50th Canadian Tulip Festival where artist Met...
Archibald Geikie was interested in art and produced c. 700 images in various media. Geikie's drawing...
Defining the aims of the exhibition, Graham focuses on the artists' approaches to their work. Includ...
Carney cites the importance of poetics and of nature (especially in places where it has "already abs...
Concentrating on Ewen's plywood paintings, this exhibition documents the development of the work's l...
Ewen's paintings of the Montréal period illustrate his constant exploration of formal means, using p...
Bradley traces the development of Ewen's painting techniques, with reference to his interest in myth...
McKaskell briefly traces stylistic influences and changes in Ewen's paintings from 1948 to the early...
Tracing Ewen's career back to the 1950s, Shadbolt identifies the artist's shift in the early 1970s t...
Sawchyn's account of Ewen's "phenomenascapes" indicates their similarities with his earlier abstract...
Briefly presenting the artist's earlier training and career, Shadbolt focuses on Ewen's use of plywo...
In her lengthy analysis of Ewen's works on paper, Fraser takes up Philip Monk's identification of a ...
Campbell's monograph focuses on the experience of wonder in Ewen's paintings. 16 bibl. ref
In his discussion of genesis and process in Peacock's work, the author reveals how these textured an...
Bierk highlights the construction of landscape in the artists' works. Artists' statements. Biographi...
This catalogue documents an exhibition held during the 50th Canadian Tulip Festival where artist Met...
Archibald Geikie was interested in art and produced c. 700 images in various media. Geikie's drawing...
Defining the aims of the exhibition, Graham focuses on the artists' approaches to their work. Includ...
Carney cites the importance of poetics and of nature (especially in places where it has "already abs...