Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Includes a discussion of Dean's, Goodwin's and Massey's career and Berlin exhibition work. Biographical notes. Circa 20 bibl. ref
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
On the occasion of an exhibition preceding an auction which gathered works by 174 Canadian artists, ...
This catalogue documents two projects produced in Germany by Montreal artist de Broin. Joss comments...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
The authors comment on this exchange between Montreal and Berlin artists and provide a history of th...
In a discussion with Osterwold, Ferguson notes the curator's eclectic selection of 15 contemporary C...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
The American curator McShine introduces this book-length study of two and one half decades of art ma...
Includes a revisionist essay which positions Munn and Taçon into the context of a Canadian art histo...
A major publication made to accompany a touring exhibition of works by 21 Canadian-based artists who...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
The authors describe the aims organization and results of the exhibition. Includes comments by the j...
The authors outline the history of relations between Canada's west coast, particularly Native art, a...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
On the occasion of an exhibition preceding an auction which gathered works by 174 Canadian artists, ...
This catalogue documents two projects produced in Germany by Montreal artist de Broin. Joss comments...
Théberge describes the exhibitions and publications which defined Canadian art in the 1970s. Include...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
The authors comment on this exchange between Montreal and Berlin artists and provide a history of th...
In a discussion with Osterwold, Ferguson notes the curator's eclectic selection of 15 contemporary C...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
The American curator McShine introduces this book-length study of two and one half decades of art ma...
Includes a revisionist essay which positions Munn and Taçon into the context of a Canadian art histo...
A major publication made to accompany a touring exhibition of works by 21 Canadian-based artists who...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
The authors describe the aims organization and results of the exhibition. Includes comments by the j...
The authors outline the history of relations between Canada's west coast, particularly Native art, a...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
On the occasion of an exhibition preceding an auction which gathered works by 174 Canadian artists, ...
This catalogue documents two projects produced in Germany by Montreal artist de Broin. Joss comments...