Add to ORKGTeaching ResourceTeaching Resource10 1. Da série: indigação sobre o significado da obra da arte (From the series: Inquiry into the Meaning of the Work of Art), 1973. Anna Bella Geiger. Another phenomenon of Brazilian arts in the Seventies was the interest in new forms: performance art, earthworks, conceptual and audiovisual installations. The first multimedia exhibit Expo-Projeção took place in São Paulo in 1973. Among the participants was Antônio Dias, Hélio Oiticica, and Anna Bella Geiger
Teaching ResourceTeaching Resource79. Livro da criação: unidade de sistema planetário (Book of Creat...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
10 1. Da série: indigação sobre o significado da obra da arte (From the series: Inquiry into the Mea...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
75. Movimento (Movement), 1951. Inspired by the non-figurative works of Swiss artist Max Bill at the...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
96. Friendly Persuasion, 1969. Another of João Câmara\u27s typically grotesque human figure painting...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
Teaching ResourceTeaching Resource74. Composição abstrata (Abstract Composition), 1970 by Kazuo Waka...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
Teaching ResourceTeaching Resource85. Tropicália, 1967. This installation by Hélio Oiticica, a membe...
Teaching ResourceTeaching Resource79. Livro da criação: unidade de sistema planetário (Book of Creat...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
10 1. Da série: indigação sobre o significado da obra da arte (From the series: Inquiry into the Mea...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
75. Movimento (Movement), 1951. Inspired by the non-figurative works of Swiss artist Max Bill at the...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
96. Friendly Persuasion, 1969. Another of João Câmara\u27s typically grotesque human figure painting...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
Teaching ResourceTeaching Resource74. Composição abstrata (Abstract Composition), 1970 by Kazuo Waka...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
Teaching ResourceTeaching Resource85. Tropicália, 1967. This installation by Hélio Oiticica, a membe...
Teaching ResourceTeaching Resource79. Livro da criação: unidade de sistema planetário (Book of Creat...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...