Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Filho was a leading figure among painters and printmakers that were active in Northeastern Brazil. During the Seventies, despite the worst years of political repression, avant-garde art spread to regional centers outside the major cities, making it possible for artists to study and exhibit their works there. A native of Recife,João Câmara was a founder of the Atelié de Ribeira in 1964 and the Atelié + Dez, both in Olinda
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
Teaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Gr...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource96. Friendly Persuasion, 1969. Another of João Câmara's typically ...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
48. Criança morta (Dead Child), 1944. One of Portinari\u27s best-known easel paintings, it dates fro...
Teaching ResourceTeaching Resource76. Pintura 2 (Painting 2), (no date). Maurício Nogueira Lima part...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
Teaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Gr...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource96. Friendly Persuasion, 1969. Another of João Câmara's typically ...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
48. Criança morta (Dead Child), 1944. One of Portinari\u27s best-known easel paintings, it dates fro...
Teaching ResourceTeaching Resource76. Pintura 2 (Painting 2), (no date). Maurício Nogueira Lima part...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
Teaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Gr...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...