Add to ORKGTeaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo during the 1930s. The stylistic and thematic contributions of modernism began to gain greater acceptance in this period, promoted by a number artistic circles and cultural groups. Many of the next generation of Brazilian painters were participants in these organizations
Teaching ResourceTeaching Resource78. Equação do desenvolvimento, crescentes e decrescentes (Equatio...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
43. A cidade (The City), 1956. Volpi\u27s use of flat, simplified, abstract forms to evoke tradition...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
Teaching ResourceTeaching Resource78. Equação do desenvolvimento, crescentes e decrescentes (Equatio...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
43. A cidade (The City), 1956. Volpi\u27s use of flat, simplified, abstract forms to evoke tradition...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
Teaching ResourceTeaching Resource78. Equação do desenvolvimento, crescentes e decrescentes (Equatio...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...