43. A cidade (The City), 1956. Volpi\u27s use of flat, simplified, abstract forms to evoke traditional Brazilian architecture. References to tile roofs and the typical colors-white walls with colonial blue at the base-maintain the local identity of this work. There is a warm, colorful, primitivist quality to Volpi\u27s paintings, with their Brazilian subjects and colors, that lends them broad appeal.https://digitalrepository.unm.edu/brazil_slides/1766/thumbnail.jp
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practice of modern styles of art spread o...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi paints the colorful facade of thi...
92.Cidade (City), 1956. Here, Volpi is more abstract, using a composition that recalls the influenti...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
Teaching ResourceTeaching Resource91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cearense painter who made his reputat...
Brazil Slide Series: Collection Modern Brazilian Painting, Slide No. 0051.https://digitalrepository...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practice of modern styles of art spread o...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi paints the colorful facade of thi...
92.Cidade (City), 1956. Here, Volpi is more abstract, using a composition that recalls the influenti...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
Teaching ResourceTeaching Resource91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cearense painter who made his reputat...
Brazil Slide Series: Collection Modern Brazilian Painting, Slide No. 0051.https://digitalrepository...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practice of modern styles of art spread o...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...