Add to ORKG91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi paints the colorful facade of this example of Brazilian vernacular architecture. Volpi\u27s work simultaneously maintains a folk1oric and primitive or naive quality (in its everyday subjects, geometric simplification, vivid color, and flatness) and a modern sophistication that embraces many of the same qualities.https://digitalrepository.unm.edu/brazil_slides/1814/thumbnail.jp
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
10. O importunato (The Importunate), 1898 by José Ferraz de Almeida, Jr. This painting is typical of...
Brazil Slide Series: Collection Modern Brazilian Painting, Slide No. 0051.https://digitalrepository...
Teaching ResourceTeaching Resource91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi...
43. A cidade (The City), 1956. Volpi\u27s use of flat, simplified, abstract forms to evoke tradition...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
92.Cidade (City), 1956. Here, Volpi is more abstract, using a composition that recalls the influenti...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
Teaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Gr...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
10. O importunato (The Importunate), 1898 by José Ferraz de Almeida, Jr. This painting is typical of...
Brazil Slide Series: Collection Modern Brazilian Painting, Slide No. 0051.https://digitalrepository...
Teaching ResourceTeaching Resource91. Sobrado com azulejos (Two-Story Tiled House), 1961. Here Volpi...
43. A cidade (The City), 1956. Volpi\u27s use of flat, simplified, abstract forms to evoke tradition...
Teaching ResourceTeaching Resource43. A cidade (The City), 1956. Volpi's use of flat, simplified, ab...
42. Mastros con bandeiras (Masts with Flags), 1966. This later painting, and the next by Volpi, show...
92.Cidade (City), 1956. Here, Volpi is more abstract, using a composition that recalls the influenti...
Teaching ResourceTeaching Resource92.Cidade (City), 1956. Here, Volpi is more abstract, using a comp...
90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces Brazilian iconography to his more ...
Teaching ResourceTeaching Resource90. Bandeiras e mastros (Flags and Poles), 1966. Volpi introduces ...
41. Reclining Nude, 1945. Alfredo Volpi was associated with the Grupo Santa Helena in São Paulo duri...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
Teaching ResourceTeaching Resource41. Reclining Nude, 1945. Alfredo Volpi was associated with the Gr...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
10. O importunato (The Importunate), 1898 by José Ferraz de Almeida, Jr. This painting is typical of...
Brazil Slide Series: Collection Modern Brazilian Painting, Slide No. 0051.https://digitalrepository...