Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio Sampaio organized exhibitions in the city of Belo Horizonte in Minas Gerais State. An artist as well, he painted a series entitled Galeria antropofágica that summarized Brazilian painting of the Twentieth Century. Here we see references to Tarsila's Abaporu and Antonio Henrique Arnaral's Brasiliana series
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actually, the first of this series by Má...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource39. Antropofagia (Cannibalism), 1929. Another important painting b...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
39. Antropofagia (Cannibalism), 1929. Another important painting by Tarsila during this period. Like...
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
Teaching ResourceTeaching Resource99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actual...
99. Galeria antropofágica I (Anthropographic Hall I), 1974. Actually, the first of this series by Má...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource39. Antropofagia (Cannibalism), 1929. Another important painting b...
Teaching ResourceTeaching Resource70. Panorama de Santa Tereza, 1950. Inimá da Paula was another Cea...
39. Antropofagia (Cannibalism), 1929. Another important painting by Tarsila during this period. Like...
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...