27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was that of the Lithuanian-born Lasar Segall, who had studied art in Germany and painted in an Expressionist style. While the paintings shown in Brazil on his first trip there in 1913 did not stimulate much critical reaction, they were noticed by the young group of São Paulo artists and intellectuals who were struggling to elaborate a modrn Brazilian art. Segall immigrated to Brazil in 1924 and became a leading figure in Brazilian Modernist art.https://digitalrepository.unm.edu/brazil_slides/1750/thumbnail.jp
Teaching ResourceTeaching Resource28. O homem amarelo (The Yellow Man), 1917. This painting by Anita...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
34. Banana Plantation, 1927. Segall had immigrated to Brazil by the time he painted this picture, no...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practice of modern styles of art spread o...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
35. Meninas com a folha de bananeira (Children With a Banana Leaf), 1928-29. Segall paints his figur...
Teaching ResourceTeaching Resource28. O homem amarelo (The Yellow Man), 1917. This painting by Anita...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
34. Banana Plantation, 1927. Segall had immigrated to Brazil by the time he painted this picture, no...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practice of modern styles of art spread o...
Teaching ResourceTeaching Resource67. Auto-retrato (Self Portrait), 1948. Carlos Scliar. The practic...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
35. Meninas com a folha de bananeira (Children With a Banana Leaf), 1928-29. Segall paints his figur...
Teaching ResourceTeaching Resource28. O homem amarelo (The Yellow Man), 1917. This painting by Anita...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...