Teaching ResourceTeaching Resource28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo in 1917 in an exhibit that became a catalyst for the Modernist movement. Painted in the same Expressionist style-with its geometric formal simplifications and expressive deformations of color-that Segall had shown earlier in Brazil without reaction, Malfatti's work was harshly denounced by conservative critics in the press. ln response, the Modernist group was galvanized into action that culminated in the Semana de arte moderna (Week of Modern Art), the iconoclastic program of music, literature, and art that introduced modern art on a larger scale than had previously occurred in Brazil and gave recognition and...
78. Equação do desenvolvimento, crescentes e decrescentes (Equation of Development, Increasing and D...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
Teaching ResourceTeaching Resource29. A estudante (The Student), 1917. Malfatti had also studied in ...
29. A estudante (The Student), 1917. Malfatti had also studied in Germany, with Expressionist instru...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
Teaching ResourceTeaching Resource78. Equação do desenvolvimento, crescentes e decrescentes (Equatio...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
78. Equação do desenvolvimento, crescentes e decrescentes (Equation of Development, Increasing and D...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...
28. O homem amarelo (The Yellow Man), 1917. This painting by Anita Malfatti was shown in São Paulo i...
Teaching ResourceTeaching Resource29. A estudante (The Student), 1917. Malfatti had also studied in ...
29. A estudante (The Student), 1917. Malfatti had also studied in Germany, with Expressionist instru...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
44. A mulatta (The Mulatto Woman), 1943. A figurative painting from Volpi\u27s earlier period, with ...
21. A copa (The Pantry), c. 1905. A Twentieth century still-life by São Paulo painter Pedro Alexandr...
Teaching ResourceTeaching Resource78. Equação do desenvolvimento, crescentes e decrescentes (Equatio...
Teaching ResourceTeaching Resource44. A mulatta (The Mulatto Woman), 1943. A figurative painting fro...
78. Equação do desenvolvimento, crescentes e decrescentes (Equation of Development, Increasing and D...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the B...