Teaching ResourceTeaching Resource85. Tropicália, 1967. This installation by Hélio Oiticica, a member of the Neoconcrete group, was first shown in the Nova Objetividade exhibit at the Museu de Arte Moderna in Rio de Janeiro in 1967. The viewer was to walk through and experience the environment consisting of sand, tropical plants, birds, etc. Like Tarsila's Pau-Brasil works of the Twenties and the Pop Art paintings of Giauco Rodrigues, the piece employed specifica1ly tropical, Brazilian elements, now in the artistic language of the contemporary avantgarde. Oiticica was an important critic and theoretician, as well. His work was fundamental to a movement in Brazilian plastic arts and music in the Sixties and earIy Seventies, known as Tropicál...
39. Antropofagia (Cannibalism), 1929. Another important painting by Tarsila during this period. Like...
Teaching ResourceTeaching Resource10 1. Da série: indigação sobre o significado da obra da arte (Fro...
75. Movimento (Movement), 1951. Inspired by the non-figurative works of Swiss artist Max Bill at the...
85. Tropicália, 1967. This installation by Hélio Oiticica, a member of the Neoconcrete group, was fi...
Teaching ResourceTeaching Resource79. Livro da criação: unidade de sistema planetário (Book of Creat...
Teaching ResourceTeaching Resource86. Capa No. 1/Parangolé (Cape No. 1), 1964. The Parangolé was a c...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource76. Pintura 2 (Painting 2), (no date). Maurício Nogueira Lima part...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
83. Um dia é da caça, outro do caçador (One Day Belongs to the Hunt, the Other to the Hunter), 1969....
Teaching ResourceTeaching Resource77. Concreção (Concretion), 1954. A geometric abstraction by Luis ...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
39. Antropofagia (Cannibalism), 1929. Another important painting by Tarsila during this period. Like...
Teaching ResourceTeaching Resource10 1. Da série: indigação sobre o significado da obra da arte (Fro...
75. Movimento (Movement), 1951. Inspired by the non-figurative works of Swiss artist Max Bill at the...
85. Tropicália, 1967. This installation by Hélio Oiticica, a member of the Neoconcrete group, was fi...
Teaching ResourceTeaching Resource79. Livro da criação: unidade de sistema planetário (Book of Creat...
Teaching ResourceTeaching Resource86. Capa No. 1/Parangolé (Cape No. 1), 1964. The Parangolé was a c...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource95 Tríptico, I, II, III (Triptych I, II, III), n.d. João Câmara Fi...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
Teaching ResourceTeaching Resource76. Pintura 2 (Painting 2), (no date). Maurício Nogueira Lima part...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
83. Um dia é da caça, outro do caçador (One Day Belongs to the Hunt, the Other to the Hunter), 1969....
Teaching ResourceTeaching Resource77. Concreção (Concretion), 1954. A geometric abstraction by Luis ...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
39. Antropofagia (Cannibalism), 1929. Another important painting by Tarsila during this period. Like...
Teaching ResourceTeaching Resource10 1. Da série: indigação sobre o significado da obra da arte (Fro...
75. Movimento (Movement), 1951. Inspired by the non-figurative works of Swiss artist Max Bill at the...