Add to ORKGBouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Includes three texts in which Cane records his reflections on the painter's craft (strictly pictoria...
Brief biography of the artist indicating the use of collage techniques in his paintings and graphic ...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
In an extensive essay, Payant explores the representational possibilities of colour in Comtois' pain...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Steele's reflections on Perehudoff's paintings - from his early figurative pieces through to his lar...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Danby's realist paintings are discussed with respect to the concerns of Courbet and the impact of ph...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Kidder discusses the progression and use of colour in Mead's abstract paintings. Biographical notes....
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Includes three texts in which Cane records his reflections on the painter's craft (strictly pictoria...
Brief biography of the artist indicating the use of collage techniques in his paintings and graphic ...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
In an extensive essay, Payant explores the representational possibilities of colour in Comtois' pain...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Steele's reflections on Perehudoff's paintings - from his early figurative pieces through to his lar...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Danby's realist paintings are discussed with respect to the concerns of Courbet and the impact of ph...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Kidder discusses the progression and use of colour in Mead's abstract paintings. Biographical notes....
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Includes three texts in which Cane records his reflections on the painter's craft (strictly pictoria...
Brief biography of the artist indicating the use of collage techniques in his paintings and graphic ...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...