Add to ORKGDuquette delineates the evolution of certain formal elements, such as colour and composition, in Blanchette's abstract paintings of 1990-91. Biographical notes
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Duquette outlines the motives and results in paintings by the Montreal painter, adressing their atmo...
Brunet-Weinmann signals key elements in the research on light conducted through Jaque's abstract pai...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Duquette outlines the motives and results in paintings by the Montreal painter, adressing their atmo...
Brunet-Weinmann signals key elements in the research on light conducted through Jaque's abstract pai...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...