Add to ORKGMurray recounts the events that influenced de Niverville's work; Dault traces developments in the painter's style; and the artist discusses individual exhibition work. Biographical notes. Circa 30 bibl. ref
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
In a catalogue reproducing the British-born artist's recent collage works, the gallerist introduce t...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Murray traces the influences on Sloggett's geometric abstract paintings. Includes several remarks by...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Swain describes the historical position of the portraitist and highlights painterly influences in Do...
Boyle reflects on art and on his work within the relative marginality of the Canadian context. In su...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
For a major retrospective of Manitoba painter Reichert, McKaskell contributes a history of the abstr...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
In a catalogue reproducing the British-born artist's recent collage works, the gallerist introduce t...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Murray traces the influences on Sloggett's geometric abstract paintings. Includes several remarks by...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Swain describes the historical position of the portraitist and highlights painterly influences in Do...
Boyle reflects on art and on his work within the relative marginality of the Canadian context. In su...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
For a major retrospective of Manitoba painter Reichert, McKaskell contributes a history of the abstr...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref