Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant form, based on his experience of nature. Biographical notes. 3 bibl. ref
According to the author, Perreault uses photographs of everyday things as a basis for his representa...
In documenting the evolution of Mongrain's sculpture from 1973 to 1988, Youngs traces the artist's a...
Defining Gottlieb's nature work as both abstract and related to landscape, Fenton examines the graph...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Tousley examines Moppett's iconography while Graham offers an anecdotal consideration of individual ...
Comments by Plotek and a study of the evolution of his work since the last 20 years enrich a formal ...
Chevrier offers a survey of this French artist's photographs and objects made between 1970 and 1992,...
When Gerhard Richter paints using photographic references, he considers that photography provides hi...
Presentation of van Elk's colour photographs covered with lacker paint, produced since 1982. Made in...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
In a text celebrating the little-known paintings of Etrog, Rosshandler provides a stylistic and them...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
According to the author, Perreault uses photographs of everyday things as a basis for his representa...
In documenting the evolution of Mongrain's sculpture from 1973 to 1988, Youngs traces the artist's a...
Defining Gottlieb's nature work as both abstract and related to landscape, Fenton examines the graph...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Tousley examines Moppett's iconography while Graham offers an anecdotal consideration of individual ...
Comments by Plotek and a study of the evolution of his work since the last 20 years enrich a formal ...
Chevrier offers a survey of this French artist's photographs and objects made between 1970 and 1992,...
When Gerhard Richter paints using photographic references, he considers that photography provides hi...
Presentation of van Elk's colour photographs covered with lacker paint, produced since 1982. Made in...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
In a text celebrating the little-known paintings of Etrog, Rosshandler provides a stylistic and them...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
According to the author, Perreault uses photographs of everyday things as a basis for his representa...
In documenting the evolution of Mongrain's sculpture from 1973 to 1988, Youngs traces the artist's a...
Defining Gottlieb's nature work as both abstract and related to landscape, Fenton examines the graph...