Add to ORKGMihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional allegorical narratives with fragmented forms. Godmer suggests interpretations of the artist's emblematic landscapes while relating his interest in cinema, Japanese poetry, and art history. Biographical notes. 98 bibl. ref
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
This catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin...
Pitre explains how Goguen incorporates optical phenomena into his abstract paintings. Includes a sta...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Mihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his paint...
"This publication documents the fifth exhibition in the Southern Alberta Art Gallery's ongoing sculp...
Godmer’s analysis of Simard’s works produced between 1991-98 focuses on the paradoxical relationship...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
In a reprinted text, Vitré briefly explains how Méchain's sculptures are created exclusively as a me...
" Bringing together more than thirty works created between 1991 and 2021, the exhibition is articula...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
Legrand interprets Mongrain's installations of scattered objects as the representation of a contradi...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
This catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin...
Pitre explains how Goguen incorporates optical phenomena into his abstract paintings. Includes a sta...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Mihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his paint...
"This publication documents the fifth exhibition in the Southern Alberta Art Gallery's ongoing sculp...
Godmer’s analysis of Simard’s works produced between 1991-98 focuses on the paradoxical relationship...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
In a reprinted text, Vitré briefly explains how Méchain's sculptures are created exclusively as a me...
" Bringing together more than thirty works created between 1991 and 2021, the exhibition is articula...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
Legrand interprets Mongrain's installations of scattered objects as the representation of a contradi...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
This catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin...
Pitre explains how Goguen incorporates optical phenomena into his abstract paintings. Includes a sta...