Add to ORKGMihalcean explains his approach to sculpture while Denée offers a poetic interpretation of his painted carvings. Biographical notes
Reflecting on the bronze medium, Paradis applauds figurative sculptor Bélanger. Biographical notes
Sarrazin provides biographical data on the artist and analyzes the series called "Between". Biograph...
Schmid comments on the formal vocabulary of Hüter's sculpture while Jooris notes Parmentier's consid...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Seven Montréal sculptors briefly discuss concepts of sculpture in relation to their work. Biographic...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Noël comments on the metaphysical aspects of his sculpture work. Biographical notes
Quine reviews the work of the self-taught sculptor, while recounting the artist's early career and t...
Allard proposes possible interpretations for Brillant's sculptures and comments on his use of stone....
In a reprinted text, Vitré briefly explains how Méchain's sculptures are created exclusively as a me...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Morissette's castings are analysed in terms of their technique and of their references to architectu...
"This publication documents the fifth exhibition in the Southern Alberta Art Gallery's ongoing sculp...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Merola compares his sculptural investigations to the spatial composition of objects accumulated on h...
Reflecting on the bronze medium, Paradis applauds figurative sculptor Bélanger. Biographical notes
Sarrazin provides biographical data on the artist and analyzes the series called "Between". Biograph...
Schmid comments on the formal vocabulary of Hüter's sculpture while Jooris notes Parmentier's consid...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Seven Montréal sculptors briefly discuss concepts of sculpture in relation to their work. Biographic...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Noël comments on the metaphysical aspects of his sculpture work. Biographical notes
Quine reviews the work of the self-taught sculptor, while recounting the artist's early career and t...
Allard proposes possible interpretations for Brillant's sculptures and comments on his use of stone....
In a reprinted text, Vitré briefly explains how Méchain's sculptures are created exclusively as a me...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Morissette's castings are analysed in terms of their technique and of their references to architectu...
"This publication documents the fifth exhibition in the Southern Alberta Art Gallery's ongoing sculp...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Merola compares his sculptural investigations to the spatial composition of objects accumulated on h...
Reflecting on the bronze medium, Paradis applauds figurative sculptor Bélanger. Biographical notes
Sarrazin provides biographical data on the artist and analyzes the series called "Between". Biograph...
Schmid comments on the formal vocabulary of Hüter's sculpture while Jooris notes Parmentier's consid...