Add to ORKGThis catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin and Daigneault analyse Goulet's formal language according to notions of concept and matter. The first uses a contextual approach, while the latter elaborates on object relationships and plural meanings. Detailed biographical notes. 61 bibl. ref
Adopting a formal approach to the Montreal artist's paintings from 1995-1996, Lévy insists on the va...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
While St-Pierre interprets Goulet's "chairs", "beds" and "tables" as a desubstantiation process of t...
Gascon discusses the relationship existing between sculpture and its architectural shelter, and more...
Catalogue to accompany Poulin’s exhibition of sculptures and drawings (produced between 1988-1999) p...
Catalogue to accompany an exhibition of Schofield’s sculptures and installations from 1992-1996, who...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Ferréol Gilles. G. Gosselin, Une éthique des sciences sociales. La limite et l'urgence, 1992. In: Ra...
This lavishly illustrated catalogue presents the paintings produced by Robert from 1975 to 2002. Rec...
In a context after May 1968, French cultural domain is considerably transformed. The stake in this r...
Godmer’s analysis of Simard’s works produced between 1991-98 focuses on the paradoxical relationship...
Referring to theoretical writings on issues of sculptural practice, Saint-Martin analyses Poulin's n...
The authors discuss the artist's use of natural and non-natural materials and the spiritual meanings...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Adopting a formal approach to the Montreal artist's paintings from 1995-1996, Lévy insists on the va...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
While St-Pierre interprets Goulet's "chairs", "beds" and "tables" as a desubstantiation process of t...
Gascon discusses the relationship existing between sculpture and its architectural shelter, and more...
Catalogue to accompany Poulin’s exhibition of sculptures and drawings (produced between 1988-1999) p...
Catalogue to accompany an exhibition of Schofield’s sculptures and installations from 1992-1996, who...
Catalogue for a retrospective exhibition of Gagnon's work since the 1950s. The three authors maintai...
Ferréol Gilles. G. Gosselin, Une éthique des sciences sociales. La limite et l'urgence, 1992. In: Ra...
This lavishly illustrated catalogue presents the paintings produced by Robert from 1975 to 2002. Rec...
In a context after May 1968, French cultural domain is considerably transformed. The stake in this r...
Godmer’s analysis of Simard’s works produced between 1991-98 focuses on the paradoxical relationship...
Referring to theoretical writings on issues of sculptural practice, Saint-Martin analyses Poulin's n...
The authors discuss the artist's use of natural and non-natural materials and the spiritual meanings...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Adopting a formal approach to the Montreal artist's paintings from 1995-1996, Lévy insists on the va...
Catalogue for an exhibition of Boyer’s engraved sculptural works. Lussier’s text traces the artist’s...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...