Add to ORKGLegrand interprets Mongrain's installations of scattered objects as the representation of a contradictory and heterogeneous world, where individuals search for identity and coherence. Biographical notes. 13 bibl. ref
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Cette thèse porte sur le thème de l’artiste dans l’œuvre de Pierre Michon. L’artiste comme pratiquan...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...
Korper examines the significance of individual elements in Mongrain's installation. A statement by t...
In documenting the evolution of Mongrain's sculpture from 1973 to 1988, Youngs traces the artist's a...
Paikowsky considers Mondrian's sculptural work as a metaphor for modern urban culture. Biographical ...
In separate essays, Holmes addresses the spatio-temporal implications of sculptural works by Mongrai...
Grande writes that Brillant focuses on the materials used in his sculptures while Viallet uses child...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
In an artist’s statement, Allain suggests her sculpture confers new meaning onto dislodged material....
Allard proposes possible interpretations for Brillant's sculptures and comments on his use of stone....
How is a sculpture born? A sculpture is not the work of a single hand. Besides the artist, many are ...
Commenting on Morosoli's kinetic sculptures, Fisette investigates the unfinished and ephemeral chara...
De Facendis suggests Jodoin’s paintings are concerned with the space between binary oppositions such...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Cette thèse porte sur le thème de l’artiste dans l’œuvre de Pierre Michon. L’artiste comme pratiquan...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...
Korper examines the significance of individual elements in Mongrain's installation. A statement by t...
In documenting the evolution of Mongrain's sculpture from 1973 to 1988, Youngs traces the artist's a...
Paikowsky considers Mondrian's sculptural work as a metaphor for modern urban culture. Biographical ...
In separate essays, Holmes addresses the spatio-temporal implications of sculptural works by Mongrai...
Grande writes that Brillant focuses on the materials used in his sculptures while Viallet uses child...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
In an artist’s statement, Allain suggests her sculpture confers new meaning onto dislodged material....
Allard proposes possible interpretations for Brillant's sculptures and comments on his use of stone....
How is a sculpture born? A sculpture is not the work of a single hand. Besides the artist, many are ...
Commenting on Morosoli's kinetic sculptures, Fisette investigates the unfinished and ephemeral chara...
De Facendis suggests Jodoin’s paintings are concerned with the space between binary oppositions such...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Cette thèse porte sur le thème de l’artiste dans l’œuvre de Pierre Michon. L’artiste comme pratiquan...
Payant comments on paradox as manifested in for example the apparent lightness of Démidoff-Séguin's ...