Add to ORKGTamplin looks at the technical and aesthetic transitions in Bolt's prints and paintings. Biographical notes
Hunter discusses the work of Storms in relation to the painter's use of map motifs as fragments of a...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Essays by Klepac, Campbell and Martin describe and define the work in relation to formalism, moderni...
Tamplin looks at the technical and aesthetic transitions in Bolt's prints and paintings. Biographica...
Cumming provides a brief introduction to Bolt's paintings and drawings of oceans, sketched from proj...
Cumming elaborates on the process behind Bolt's paintings and drawings of bodies of water, sketched ...
Klepac examines Martin's Bright Red and Black Paintings, and then focuses on the artist's use of mat...
Campbell considers Martin's Geometric Paintings of 1981-85 in relation to his Black Paintings, focus...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Discussing Scott's abstract acrylic paintings employing a process of "finger-raking" to produce a ge...
This pen-and-ink drawing is of a stream bordered with rhododendron. The drawing is signed and dated ...
Includes bibliographical references.In 1947 Jackson Pollock revolutionised aesthetic concepts by Inv...
Hunter discusses the work of Storms in relation to the painter's use of map motifs as fragments of a...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Essays by Klepac, Campbell and Martin describe and define the work in relation to formalism, moderni...
Tamplin looks at the technical and aesthetic transitions in Bolt's prints and paintings. Biographica...
Cumming provides a brief introduction to Bolt's paintings and drawings of oceans, sketched from proj...
Cumming elaborates on the process behind Bolt's paintings and drawings of bodies of water, sketched ...
Klepac examines Martin's Bright Red and Black Paintings, and then focuses on the artist's use of mat...
Campbell considers Martin's Geometric Paintings of 1981-85 in relation to his Black Paintings, focus...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Discussing Scott's abstract acrylic paintings employing a process of "finger-raking" to produce a ge...
This pen-and-ink drawing is of a stream bordered with rhododendron. The drawing is signed and dated ...
Includes bibliographical references.In 1947 Jackson Pollock revolutionised aesthetic concepts by Inv...
Hunter discusses the work of Storms in relation to the painter's use of map motifs as fragments of a...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Essays by Klepac, Campbell and Martin describe and define the work in relation to formalism, moderni...