Add to ORKGEssays by Klepac, Campbell and Martin describe and define the work in relation to formalism, modernism, a Jungian definition of active imagination and abstraction. Biographical notes. Circa 100 bibl. ref
Catalogue essay by Jann L.M. Bailey. Catalogue of an exhibition held at the Kamloops Art Gallery, Ap...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
This is Simon Martin's largest public exhibition in the UK to date, bringing together three years of...
Campbell considers Martin's Geometric Paintings of 1981-85 in relation to his Black Paintings, focus...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Klepac investigates transformations in Martin's work between 1969 and 1992, discussing painting seri...
Campbell describes the material-based paintings and object installations by Martin as explorations o...
Klepac examines Martin's Bright Red and Black Paintings, and then focuses on the artist's use of mat...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The authors situate McKay's work in the context of modernist avant-garde practice, 1950s-60s Canadia...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
In a reprinted text, Klepac considers the implications of observing Martin's black paintings series....
This document introduces readers to Western-Canadian artists Nicoll, Perehudoff, and Rogers through ...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Catalogue essay by Jann L.M. Bailey. Catalogue of an exhibition held at the Kamloops Art Gallery, Ap...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
This is Simon Martin's largest public exhibition in the UK to date, bringing together three years of...
Campbell considers Martin's Geometric Paintings of 1981-85 in relation to his Black Paintings, focus...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Klepac investigates transformations in Martin's work between 1969 and 1992, discussing painting seri...
Campbell describes the material-based paintings and object installations by Martin as explorations o...
Klepac examines Martin's Bright Red and Black Paintings, and then focuses on the artist's use of mat...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The authors situate McKay's work in the context of modernist avant-garde practice, 1950s-60s Canadia...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
In a reprinted text, Klepac considers the implications of observing Martin's black paintings series....
This document introduces readers to Western-Canadian artists Nicoll, Perehudoff, and Rogers through ...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Catalogue essay by Jann L.M. Bailey. Catalogue of an exhibition held at the Kamloops Art Gallery, Ap...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
This is Simon Martin's largest public exhibition in the UK to date, bringing together three years of...