Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. Townsend-Gault's essay (written while in Laos) focuses on issues of monumentality, materiality and iconography, and includes numerous references to Buddhist culture. List of works. Biographical notes. 4 bibl. ref
Metcalfe's extended essay embraces a wide range of sources and subjects, and amounts to a rumination...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
Situating Delva's work in relation to contemporary art practices, Eyland describes the artist's sand...
Holme's analysis of Delva's exhibition focuses on issues of content and containment in relation to m...
Catalogue for a survey exhibition of works by Squires – paintings, drawings, prints, sculptures and ...
This publication concerns four exhibitions sharing the theme of “the spirit of the times,” presented...
Essays by Klepac, Campbell and Martin describe and define the work in relation to formalism, moderni...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
Catalogue to accompany an exhibition that attempts to analyze and contextualize the practices of two...
The first major juried exhibition presented by Visual Arts Nova Scotia marks its ten-year anniversar...
The exhibition of work by Jim Logan, A Question of Ideals, is one of many native art exhibitions org...
Harding introduces an exhibition of four Canadian and three Netherlander artists working in a variet...
Metcalfe's extended essay embraces a wide range of sources and subjects, and amounts to a rumination...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
Situating Delva's work in relation to contemporary art practices, Eyland describes the artist's sand...
Holme's analysis of Delva's exhibition focuses on issues of content and containment in relation to m...
Catalogue for a survey exhibition of works by Squires – paintings, drawings, prints, sculptures and ...
This publication concerns four exhibitions sharing the theme of “the spirit of the times,” presented...
Essays by Klepac, Campbell and Martin describe and define the work in relation to formalism, moderni...
Patten's interpretation of Merritt's two part exhibition - which consisted of one gallery with indep...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
Catalogue to accompany an exhibition that attempts to analyze and contextualize the practices of two...
The first major juried exhibition presented by Visual Arts Nova Scotia marks its ten-year anniversar...
The exhibition of work by Jim Logan, A Question of Ideals, is one of many native art exhibitions org...
Harding introduces an exhibition of four Canadian and three Netherlander artists working in a variet...
Metcalfe's extended essay embraces a wide range of sources and subjects, and amounts to a rumination...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Phillips asserts that the sculptures exhibited reflect an anthropological approach to art, in which ...
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