Add to ORKGSemi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic design he has executed between 1968 and 1983. Biographical notes
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Ferguson describes the various conventions combined in his still life paintings. Biographical note
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Fabo's and Dean's essays on the posthumous exhibition of work by Toronto painter Wilson address issu...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Broadsheet documenting the "Circus Series" of paintings by Victoria artist Gordaneer. In a brief ess...
Bornstein situates his work with respect to the history of painting and abstract art. Biographical n...
The author describes the formal and symbolic qualities of Nutt's drawings and outlines Elliott's pro...
Tamplin looks at the technical and aesthetic transitions in Bolt's prints and paintings. Biographica...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Ferguson describes the various conventions combined in his still life paintings. Biographical note
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
In a descriptive account of Bloor's abstract drawings (1960-1988), Tamplin examines the artist's pro...
Fabo's and Dean's essays on the posthumous exhibition of work by Toronto painter Wilson address issu...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Broadsheet documenting the "Circus Series" of paintings by Victoria artist Gordaneer. In a brief ess...
Bornstein situates his work with respect to the history of painting and abstract art. Biographical n...
The author describes the formal and symbolic qualities of Nutt's drawings and outlines Elliott's pro...
Tamplin looks at the technical and aesthetic transitions in Bolt's prints and paintings. Biographica...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...