Add to ORKGExamining the artist's paintings, Millard compares Vincent to folk artists in his interest in depicting events from everyday life, and to trained artists in his use of formal means. Biographical notes. 8 bibl. ref
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
An interview with Combas, accompanied by a biographical essay, draws parallels between his work and ...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Discussing Scott's abstract acrylic paintings employing a process of "finger-raking" to produce a ge...
Grandbois introduces Vincent's paintings and prints from 1992 to 1998, analysing the artist's main s...
Includes a brief description of Annand's painted studies. Artist's statement. Biographical notes
Official publication to accompany the important exhibition Vincent's Choice, Van Gogh's 'musee imagi...
Thom surveys Young's printmaking from 1963 to 1981, focusing on the use of art historical sources. B...
The curator outlines the development of Christie's work and his use of color, figure and ground. Bio...
In a biographical text, Fox notes particular characteristics of Michener's use of the landscape genr...
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Robert briefly illustrates the progress of visual arts in Montréal from 1940 according to the work o...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
An interview with Combas, accompanied by a biographical essay, draws parallels between his work and ...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Discussing Scott's abstract acrylic paintings employing a process of "finger-raking" to produce a ge...
Grandbois introduces Vincent's paintings and prints from 1992 to 1998, analysing the artist's main s...
Includes a brief description of Annand's painted studies. Artist's statement. Biographical notes
Official publication to accompany the important exhibition Vincent's Choice, Van Gogh's 'musee imagi...
Thom surveys Young's printmaking from 1963 to 1981, focusing on the use of art historical sources. B...
The curator outlines the development of Christie's work and his use of color, figure and ground. Bio...
In a biographical text, Fox notes particular characteristics of Michener's use of the landscape genr...
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Robert briefly illustrates the progress of visual arts in Montréal from 1940 according to the work o...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
An interview with Combas, accompanied by a biographical essay, draws parallels between his work and ...