Add to ORKGSweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by Clark. Brief biographical notes
Describing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the for...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
The themes of environment and of man's alienation from nature are discussed in relation to Clark's p...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Preuss' detailed descriptions and biographical references reveal the diverse "branchings" of Clark's...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Booklet documenting an exhibition of paintings produced by Ann Clarke between 1969 and 2000. Clark t...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Houle contextualizes work by the late Ojibway artist produced between 1973 and 1977 in terms of the ...
29 cm.The intent of the thesis is twofold: interpretive and documentary. Volume 1 focuses on the wor...
Woodman surveys McDougall's career, noting the influence of Matisse on his use of colour and outline...
Describing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the for...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
The themes of environment and of man's alienation from nature are discussed in relation to Clark's p...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Preuss' detailed descriptions and biographical references reveal the diverse "branchings" of Clark's...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Booklet documenting an exhibition of paintings produced by Ann Clarke between 1969 and 2000. Clark t...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Houle contextualizes work by the late Ojibway artist produced between 1973 and 1977 in terms of the ...
29 cm.The intent of the thesis is twofold: interpretive and documentary. Volume 1 focuses on the wor...
Woodman surveys McDougall's career, noting the influence of Matisse on his use of colour and outline...
Describing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the for...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...