Add to ORKGThom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour and formal structures to activate the entire picture plane. Biographical notes. 8 bibl. ref
Henri Matisse (1869-1954) attached fundamental importance to his drawings, in particular to the famo...
Since childhood, drawing has been a constant method and medium of enquiry for me, a medium that is b...
George Moppett briefly discusses the use of brightly coloured souvenirs, photographs and postcards a...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Catalogue of a retrospective exhibition of Meredith's oil paintings and works on paper. Fleming give...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Kidder discusses the progression and use of colour in Mead's abstract paintings. Biographical notes....
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
The core of this research are the paintings and cultural context of Alan Cuthbert, a hitherto un-res...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
The artist\u27s early work was executed rapidly with heavily defined charcoal lines. At that time, s...
McConnell discusses authenticity and the use of maquettes in Hall's paintings. Includes artist's sta...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Henri Matisse (1869-1954) attached fundamental importance to his drawings, in particular to the famo...
Since childhood, drawing has been a constant method and medium of enquiry for me, a medium that is b...
George Moppett briefly discusses the use of brightly coloured souvenirs, photographs and postcards a...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Catalogue of a retrospective exhibition of Meredith's oil paintings and works on paper. Fleming give...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Kidder discusses the progression and use of colour in Mead's abstract paintings. Biographical notes....
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
The core of this research are the paintings and cultural context of Alan Cuthbert, a hitherto un-res...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
The artist\u27s early work was executed rapidly with heavily defined charcoal lines. At that time, s...
McConnell discusses authenticity and the use of maquettes in Hall's paintings. Includes artist's sta...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Henri Matisse (1869-1954) attached fundamental importance to his drawings, in particular to the famo...
Since childhood, drawing has been a constant method and medium of enquiry for me, a medium that is b...
George Moppett briefly discusses the use of brightly coloured souvenirs, photographs and postcards a...