The themes of environment and of man's alienation from nature are discussed in relation to Clark's paintings of the prairie night sky. Biographical notes
Posyniak notes how Anderson's paintings comment on the myth of the cowboy and the frontier, and refe...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
Views of the night attracted different artists for a long time. James Whistler, Vincent van Gogh, Ar...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Alexander describes his use of photographs and sketches to paint landscapes in his studio. Rondeau c...
Noting Kerr's interest in animals and prairie landscapes, the authors outline the artist's life, his...
Examining Berzins' images, Miller focuses on the artist's process of building up and structuring her...
J. Clark situates Boyer's exhibition of paintings from the 1990s within the context of the artist's ...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
A catalogue to accompany Dobson’s exhibition of night paintings and prints. Dobson’s statement focus...
Describing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the for...
Posyniak notes how Anderson's paintings comment on the myth of the cowboy and the frontier, and refe...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
Views of the night attracted different artists for a long time. James Whistler, Vincent van Gogh, Ar...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Alexander describes his use of photographs and sketches to paint landscapes in his studio. Rondeau c...
Noting Kerr's interest in animals and prairie landscapes, the authors outline the artist's life, his...
Examining Berzins' images, Miller focuses on the artist's process of building up and structuring her...
J. Clark situates Boyer's exhibition of paintings from the 1990s within the context of the artist's ...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
A catalogue to accompany Dobson’s exhibition of night paintings and prints. Dobson’s statement focus...
Describing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the for...
Posyniak notes how Anderson's paintings comment on the myth of the cowboy and the frontier, and refe...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
Views of the night attracted different artists for a long time. James Whistler, Vincent van Gogh, Ar...