Add to ORKGIn a catalogue addressing the question of recent works in abstraction by eight American artists, King seeks to uncover the motives for a revival of abstraction at this moment in history. Carrier writes on how to write about the new non-objective art works from a postmodernist stance. Biographical notes. 76 bibl. ref
How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas...
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sens...
Catalogue to accompany a touring exhibition of Urban’s abstract paintings from 1994-1999. Pagel’s de...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
Brougher demonstrate the extent of abstraction's return as a critical force today. The author briefl...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Defining modernism, abstraction and, non-objectivity, Burrell describes six artists' work and concer...
SIGLEAvailable from British Library Document Supply Centre- DSC:D97159 / BLDSC - British Library Doc...
An investigation of the consequences of pluralism for abstract painting. A central theme examines th...
Exhibition catalog for The Reality of Abstraction: Painting in Utah 1946-1996, a traveling exhibitio...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
Peter Lamb, Angele Lautier, Marylyn Molisso, Laurence Noga, Michael Stubbs, Ken Turner, Mark Walling...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas...
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sens...
Catalogue to accompany a touring exhibition of Urban’s abstract paintings from 1994-1999. Pagel’s de...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
Brougher demonstrate the extent of abstraction's return as a critical force today. The author briefl...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Defining modernism, abstraction and, non-objectivity, Burrell describes six artists' work and concer...
SIGLEAvailable from British Library Document Supply Centre- DSC:D97159 / BLDSC - British Library Doc...
An investigation of the consequences of pluralism for abstract painting. A central theme examines th...
Exhibition catalog for The Reality of Abstraction: Painting in Utah 1946-1996, a traveling exhibitio...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
Peter Lamb, Angele Lautier, Marylyn Molisso, Laurence Noga, Michael Stubbs, Ken Turner, Mark Walling...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas...
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sens...
Catalogue to accompany a touring exhibition of Urban’s abstract paintings from 1994-1999. Pagel’s de...