Add to ORKGDescribing Graham's paintings, Jenkner explores the artist's dual concerns for landscape and the formal aspects of color and flatness. Biographical notes. 23 bibl. ref
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
This publication relates exclusively to Metson’s paintings from 1999 and 2000. Rosshandler analyses ...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
Carney cites the importance of poetics and of nature (especially in places where it has "already abs...
Outlining Peterson's career, Graham elaborates on the artist's painting and its affinities with prim...
Moffett discusses Peacock's shaped abstract paintings in relation to American art. Biographical note...
A comprehensive analysis of Graham's oeuvre includes essays which elaborate on the resonance of Freu...
While defining the essence of Graham's artistic project, the three essayists invoke notions of publi...
Alteen traces the development of Graham's artistic practice since 1984, calling attention to the mot...
1994Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
Includes a brief introduction to Danby's work as well as biographical notes. 1 bibl. ref
Defining Hardy's work as linked to the Saskatchewan community and the Canadian tradition of landscap...
Danby's realist paintings are discussed with respect to the concerns of Courbet and the impact of ph...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Laurence isolates the references to Western texts and cultural works in Mitchell's paintings, assemb...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
This publication relates exclusively to Metson’s paintings from 1999 and 2000. Rosshandler analyses ...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
Carney cites the importance of poetics and of nature (especially in places where it has "already abs...
Outlining Peterson's career, Graham elaborates on the artist's painting and its affinities with prim...
Moffett discusses Peacock's shaped abstract paintings in relation to American art. Biographical note...
A comprehensive analysis of Graham's oeuvre includes essays which elaborate on the resonance of Freu...
While defining the essence of Graham's artistic project, the three essayists invoke notions of publi...
Alteen traces the development of Graham's artistic practice since 1984, calling attention to the mot...
1994Purchased for the Camosun College Art Collection by the Camosun College Cultural Enhancement Com...
Includes a brief introduction to Danby's work as well as biographical notes. 1 bibl. ref
Defining Hardy's work as linked to the Saskatchewan community and the Canadian tradition of landscap...
Danby's realist paintings are discussed with respect to the concerns of Courbet and the impact of ph...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Laurence isolates the references to Western texts and cultural works in Mitchell's paintings, assemb...
Sweet addresses an attempt to balance abstraction and figuration in Clark's paintings. Statement by ...
This publication relates exclusively to Metson’s paintings from 1999 and 2000. Rosshandler analyses ...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...