Persuasive spaces: Translators\u27 prefaces to the Divine Comedy

This essay posits translators\u27 prefaces as democratic spaces of individuality. Among the usually limited opportunities for translators to present their work and discuss its nuances, challenges, methods, and solutions, a translator\u27s preface affords the rare luxury of displaying one\u27s array of tools and, by establishing one\u27s credentials, convincing readers of the legitimacy of specific translatorial choices. However, the possibilities and expectations of a translator\u27s preface are strongly influenced by factors that hinder the translator\u27s freedom of expression and are, to some extent, enslaved to a strictly persuasive function. These pre-packaged topics seem to weigh even more on the translators of so-called \u27classic\u27 texts, who, on top of other real or perceived duties, need to pay homage to past translations and justify the need for an additional one. A close examination of various translators\u27 prefaces to Dante\u27s Divine Comedy will highlight recurring themes and persuasive strategies along with deviations from the norm that might suggest alternative avenues towards a more illuminating way of inhabiting this unique locus. By unveiling the points of contact between the space of the source text and the space of the translator\u27s individuality, the former is infused with renewed life and the latter with new meaning