In my previous column, I endeavored to talk about the future by looking to the past to chronicle the many efforts that had been made to move music education and music teacher education forward. I mentioned the 1967 Tanglewood Symposium as a touchstone, a point of demarcation that represented a call for change in the way we teach about music as well as in the way we prepare those who will teach it. By the time this column is published, we will have observed the 50th anniversary of the Symposium, and as is often the case with anniversaries, I am tempted to reflect on the meanings this event had and still has for our profession
How can we conceptualize curriculum and school knowledge to better address important questions of so...
The purpose of this bibliography is to provide resources for further research into the adverse effec...
In this article (which deliberately steals the title of an interview I gave to Catarina Dias (Dias, ...
A year ago, near this time, an unexpected and unfortunate series of events forced our professional o...
In 1967, The Tanglewood Symposium was convened in the United States to address the multifaceted issu...
The Future Directions of Music Cognition conference and speaker series incorporated hundreds of scho...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
As the editorial board presents the ninth issue of Research and Issues in Music Education, I’m remin...
Music education scholar and researcher Peter Webster (2017) offers a scenario in which a doctor, an ...
‘The Sequence of Musical Development’ by Swanwick and Tillman was published in the British Journal o...
Statement for Roundtable at Society for Music Analysis Annual Conference, University of Southampton,...
In commemorating the 35th anniversary of the publication of the Swanwick/Tillman spiral, this editor...
Prior to writing my first column as Chair of the Society for Music Teacher Education (SMTE), I decid...
Numerous scholars have provided philosophical perspectives to justify the inclusion of music educati...
The author investigates the role of music in the United States from the nineteenth century forward, ...
How can we conceptualize curriculum and school knowledge to better address important questions of so...
The purpose of this bibliography is to provide resources for further research into the adverse effec...
In this article (which deliberately steals the title of an interview I gave to Catarina Dias (Dias, ...
A year ago, near this time, an unexpected and unfortunate series of events forced our professional o...
In 1967, The Tanglewood Symposium was convened in the United States to address the multifaceted issu...
The Future Directions of Music Cognition conference and speaker series incorporated hundreds of scho...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
As the editorial board presents the ninth issue of Research and Issues in Music Education, I’m remin...
Music education scholar and researcher Peter Webster (2017) offers a scenario in which a doctor, an ...
‘The Sequence of Musical Development’ by Swanwick and Tillman was published in the British Journal o...
Statement for Roundtable at Society for Music Analysis Annual Conference, University of Southampton,...
In commemorating the 35th anniversary of the publication of the Swanwick/Tillman spiral, this editor...
Prior to writing my first column as Chair of the Society for Music Teacher Education (SMTE), I decid...
Numerous scholars have provided philosophical perspectives to justify the inclusion of music educati...
The author investigates the role of music in the United States from the nineteenth century forward, ...
How can we conceptualize curriculum and school knowledge to better address important questions of so...
The purpose of this bibliography is to provide resources for further research into the adverse effec...
In this article (which deliberately steals the title of an interview I gave to Catarina Dias (Dias, ...