A year ago, near this time, an unexpected and unfortunate series of events forced our professional organization to recognize the dangers of pretending that marginalized perspectives and issues of equity and access don’t have a place in the discussion of our profession’s status in the 21st century. By the time of the NAfME National Assembly in June of 2016, a primary focus of the meeting was concerned with addressing the question: Where should we, as an association and as a profession, go from here
By explaining the cultural mechanism of \u27prolepsis\u27 through examples of my own teaching, I pos...
One decade into the twenty-first century, in a complex global community of which one part is a diver...
This piece reflects on recent developments that hold implications for how education might transform ...
In 1997, American music educators of eminence gathered for the second major national symposium for m...
As society changes, new challenges arise for education. Major social upheavals have led to increasin...
The Future Directions of Music Cognition conference and speaker series incorporated hundreds of scho...
In my previous column, I endeavored to talk about the future by looking to the past to chronicle the...
Music education scholar and researcher Peter Webster (2017) offers a scenario in which a doctor, an ...
Degree programs for undergraduate music education majors are designed to provide the training, skill...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
The academic editor of Music Educators Journal (MEJ) outlines and discusses implications of the deci...
This article presents five case studies from within Music in Higher Education programmes which colle...
Recently, the National Association for Music Education (NAfME) National Executive Board (NEB) announ...
This article presents five case studies from within music in higher education programmes that collec...
Musical Futures is a teaching and learning approach that is founded on the informal and personal way...
By explaining the cultural mechanism of \u27prolepsis\u27 through examples of my own teaching, I pos...
One decade into the twenty-first century, in a complex global community of which one part is a diver...
This piece reflects on recent developments that hold implications for how education might transform ...
In 1997, American music educators of eminence gathered for the second major national symposium for m...
As society changes, new challenges arise for education. Major social upheavals have led to increasin...
The Future Directions of Music Cognition conference and speaker series incorporated hundreds of scho...
In my previous column, I endeavored to talk about the future by looking to the past to chronicle the...
Music education scholar and researcher Peter Webster (2017) offers a scenario in which a doctor, an ...
Degree programs for undergraduate music education majors are designed to provide the training, skill...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
The academic editor of Music Educators Journal (MEJ) outlines and discusses implications of the deci...
This article presents five case studies from within Music in Higher Education programmes which colle...
Recently, the National Association for Music Education (NAfME) National Executive Board (NEB) announ...
This article presents five case studies from within music in higher education programmes that collec...
Musical Futures is a teaching and learning approach that is founded on the informal and personal way...
By explaining the cultural mechanism of \u27prolepsis\u27 through examples of my own teaching, I pos...
One decade into the twenty-first century, in a complex global community of which one part is a diver...
This piece reflects on recent developments that hold implications for how education might transform ...