As the editorial board presents the ninth issue of Research and Issues in Music Education, I’m reminded that teaching and learning have been going on for a very long time, and that there are all kinds of ways to undertake these tasks with new ways of teaching being constantly developed—but that the musical functions with which Merriam challenged us remain as true now as they did when he published them in 1964. An examination of the variety of this issue’s topics indicates that student, teacher, composer, conductor, professor and audience member all have much at stake as we continue to support the notion that music is good for the human soul. This issue of RIME is dedicated to Alan Merriam and to all who think likewise
MusIC has been taught in public education for well over a hundred years. ' A traditional charac...
Music education has a long history of defending its place in the school curriculum, with practitione...
Choral Problems and Choral Clinics (interview with Peter J. Wilhousky) Music and the Mechanically Mi...
Teaching people of all ages to make music together is still one of the most satisfying parts of my c...
This special issue of Current Musicology brings together a number of scholars at various stages of t...
Since the beginning of time, the beauty and richness of music have mesmerized the hearts of human be...
Learning music is a complex, fascinating process that spans an impressive variety of meanings and ex...
Editorial: Throughout history and since time immemorial, there has been discussion and debate on mus...
The author investigates the role of music in the United States from the nineteenth century forward, ...
Welcome to the fourth volume of Music and Arts in Action (MAiA), and MAiA’s fifth year of publicati...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
How can we conceptualize curriculum and school knowledge to better address important questions of so...
In my previous column, I endeavored to talk about the future by looking to the past to chronicle the...
I believe that the study of music can justifiably include the study of any aspect of musical behavio...
Welcome to issue 89 of Current Musicology, the first publication of our forty-fifth year. This journ...
MusIC has been taught in public education for well over a hundred years. ' A traditional charac...
Music education has a long history of defending its place in the school curriculum, with practitione...
Choral Problems and Choral Clinics (interview with Peter J. Wilhousky) Music and the Mechanically Mi...
Teaching people of all ages to make music together is still one of the most satisfying parts of my c...
This special issue of Current Musicology brings together a number of scholars at various stages of t...
Since the beginning of time, the beauty and richness of music have mesmerized the hearts of human be...
Learning music is a complex, fascinating process that spans an impressive variety of meanings and ex...
Editorial: Throughout history and since time immemorial, there has been discussion and debate on mus...
The author investigates the role of music in the United States from the nineteenth century forward, ...
Welcome to the fourth volume of Music and Arts in Action (MAiA), and MAiA’s fifth year of publicati...
The author describes how contemporary music education at the secondary level has fallen short of Dr....
How can we conceptualize curriculum and school knowledge to better address important questions of so...
In my previous column, I endeavored to talk about the future by looking to the past to chronicle the...
I believe that the study of music can justifiably include the study of any aspect of musical behavio...
Welcome to issue 89 of Current Musicology, the first publication of our forty-fifth year. This journ...
MusIC has been taught in public education for well over a hundred years. ' A traditional charac...
Music education has a long history of defending its place in the school curriculum, with practitione...
Choral Problems and Choral Clinics (interview with Peter J. Wilhousky) Music and the Mechanically Mi...