Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by focusing on the economics of the booktrade, examines the evidence that the playing companies resisted publishing their plays, reviews "the publication history of Shakespeare's plays, which suggests that the Lord Chamberlain's Men has a coherent strategy to try to get their playwright's plays into print, " and "inquire[s] into what can or cannot be inferred from Shakespeare's alleged involvement (as with the narrative poems) or noninvolvement (as with the plays) in the publication of his writings. " Concluding that publishers had little economic incentive to publish drama, calls for renewed attention to Sh...
This article submitted to IUPUI ScholarWorks as part of the OASIS Project. Permission for inclusion ...
During the early modern period, the publication process decisively shaped the history play and its r...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Bibliographers have long puzzled over Samuel Johnson’s edition of The Plays of William Shakespeare, ...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
This review article was published in the Journal of the Printing Historical Society. Further details...
Summarizing the recent scholarship that views Shakespeare as "a self-conscious, literary author," su...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing o...
This article submitted to IUPUI ScholarWorks as part of the OASIS Project. Permission for inclusion ...
During the early modern period, the publication process decisively shaped the history play and its r...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Bibliographers have long puzzled over Samuel Johnson’s edition of The Plays of William Shakespeare, ...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
This review article was published in the Journal of the Printing Historical Society. Further details...
Summarizing the recent scholarship that views Shakespeare as "a self-conscious, literary author," su...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing o...
This article submitted to IUPUI ScholarWorks as part of the OASIS Project. Permission for inclusion ...
During the early modern period, the publication process decisively shaped the history play and its r...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...