Add to ORKGThis review article was published in the Journal of the Printing Historical Society. Further details of this journal can be found at: http://www.printinghistoricalsociety.org.uk
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
Print and consumption, Commercial ingenuity dominates the history of printing and publishing in Brit...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Review of Zachary Lesser Renaissance drama and the politics of publication: Readings in the English ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Times have changed. In the mid 1980s, when I wrote my biography of John Almon, a study of the reflex...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Review of Douglas Bruster's book, 'Drama and the Market in the Age of Shakespeare' (Cambridge Studie...
David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford Univer...
Early modern publishers played an important role in the survival and transmission of plays from the ...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
Renaissance drama, the history of gambling, and more capture the scholarly interest of faculty autho...
During the early modern period, the publication process decisively shaped the history play and its r...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
The present study considers Brome’s playbooks and his reputation as a dramatist from the perspective...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
Print and consumption, Commercial ingenuity dominates the history of printing and publishing in Brit...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Review of Zachary Lesser Renaissance drama and the politics of publication: Readings in the English ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Times have changed. In the mid 1980s, when I wrote my biography of John Almon, a study of the reflex...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Review of Douglas Bruster's book, 'Drama and the Market in the Age of Shakespeare' (Cambridge Studie...
David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford Univer...
Early modern publishers played an important role in the survival and transmission of plays from the ...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
Renaissance drama, the history of gambling, and more capture the scholarly interest of faculty autho...
During the early modern period, the publication process decisively shaped the history play and its r...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
The present study considers Brome’s playbooks and his reputation as a dramatist from the perspective...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
Print and consumption, Commercial ingenuity dominates the history of printing and publishing in Brit...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...