This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing of his work in his own life time. This includes considering Shakespeare’s part in leading and following theatrical fashions on the early modern London stage and the importance of competition and imitation across the repertories of the leading London acting companies. It also includes reflecting on what we know about the business practices of Shakespeare’s company (the Lord Chamberlain’s / King’s Men) and the early history of Shakespeare’s plays and poems in print, including the ways in which Shakespeare’s name and works were circulated and marketed to his contemporaries in and outside early modern London
This book takes an historical approach to Shakespeare’s connections with London. It explores Stratfo...
Early modern publishers played an important role in the survival and transmission of plays from the ...
This chapter proposes that discursive paratexts – dedications, addresses to readers, and commendator...
This chapter introduces the topic of Shakespeare’s cultural capital and the marketplace, offering an...
This collection of new essays explores the social, political, and economic pressures under which the...
This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it ca...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Although scholarly interest in available “alternatives” to early modern London theater has recently ...
This essay identifies a previously neglected network of London stationers who published and sold Sha...
Examining the long history of critical reading and stage-production of William Shakespeare\u27s play...
This book takes an historical approach to Shakespeare’s connections with London. It explores Stratfo...
Early modern publishers played an important role in the survival and transmission of plays from the ...
This chapter proposes that discursive paratexts – dedications, addresses to readers, and commendator...
This chapter introduces the topic of Shakespeare’s cultural capital and the marketplace, offering an...
This collection of new essays explores the social, political, and economic pressures under which the...
This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it ca...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Although scholarly interest in available “alternatives” to early modern London theater has recently ...
This essay identifies a previously neglected network of London stationers who published and sold Sha...
Examining the long history of critical reading and stage-production of William Shakespeare\u27s play...
This book takes an historical approach to Shakespeare’s connections with London. It explores Stratfo...
Early modern publishers played an important role in the survival and transmission of plays from the ...
This chapter proposes that discursive paratexts – dedications, addresses to readers, and commendator...